Ricky Velez in his new HBO actor special. Photo: Mark Schafer/HBO
It was aboriginal September aback Ricky Velez answered the buzz and a articulation asked, “Where accept you been?” The addition was the Ball Cellar’s booker, and Velez had to acknowledge up. “I accept no jokes,” he admitted.
That wasn’t absolutely true. Velez had an hour’s account of his best stuff. But he had aloof recorded that at Brooklyn Steel for his aboriginal ball appropriate on HBO, Here’s Everything, and aback he had cautiously acclimated that actual while aperture for John Mulaney a few canicule later, he regretted it. “I acquainted like a artifice accomplishing that actual again. I wiped out my accomplished book afterwards that,” Velez afresh told Vulture. So he was bottomward to a scattering of jokes scrapped from the appropriate and was blind out, “just cat-and-mouse to be inspired.”
That Friday, Velez stared at his addendum one aftermost time afore demography the capital date at the Cellar, the aboriginal of his four shows that night. “I was actual afraid for the aboriginal time in a actual continued time,” he says. “It’s crazy activity aback to aboveboard one.”
Old-time comics like Henny Youngman, Rodney Dangerfield, and Jackie Mason rode their jokes for years, but it has now become accepted convenance for top comics to consistently body against a new special, afresh canal their actual already it’s done. In fact, while Velez waited until afterwards recording his appropriate to alpha a new set, added comedians say they alpha alike sooner, account bottomward new account alike as they’re cutting their actual for the appropriate so they accept beginning jokes and belief accessible to go as anon as they’re done filming.
When Gary Gulman, whose aftermost appropriate The Great Depresh premiered in 2019, started in the ’90s, comedians still recycled some actual from their specials in their alive acts, and creating ten new account a year was advised bold. The mind-set was that “you bare to abundance actual because it was so precious,” he remembers. Gulman likens the new, accepted hour-per-year aphorism to the four-minute mile, which already seemed absurd but afresh became commonplace. Ronny Chieng — whose aftermost special, Asian Comedian Destroys America, premiered in in 2019 — says it’s challenging, but worthwhile: “You can’t go amiss by blame yourself as an artist.”
Despite Velez’s concerns, assuming actual from a appropriate alive afore the appropriate debuts is advised kosher, Chieng argues, aback it allows comedians to assignment new actual in piecemeal, alive there are affirmed action to antithesis the set. And jokes that toured but were edited out of a appropriate can alive to action addition day. Some get cut for contemporary reasons: Gulman’s Great Depresh acquired afterwards his antecedent hour — with alone 15 account about his struggles with abasement — begin no TV buyers. He alone all added actual for a deeply focused show. “I’m appreciative of that added stuff,” he says, abacus that he may acknowledgment to that added actual on bout or alike in addition special.
But for the best part, comics alpha from scratch. For Gulman, it’s a aloof attempt aback he doesn’t try jokes on noncombatant friends. “Patrice O’Neal told me never to pimp my accompany to actuate whether article is funny,” he explains, “but occasionally you’ll say article off-the-cuff funny, and addition will say, ‘You should use that in your act.’” For Chieng, however, bouncing account off adolescent comedians is allotment of the process. “I’m not allurement bodies to address absolute jokes, but I ability ask if a antic goes too far, and sometimes they will add tags to the bite line,” he says.
The absolute aboriginal footfall is testing new account in advanced of a alive audience. Chieng doesn’t address abundant jokes out beforehand. “I’ll anticipate about the phrasing, but I’m not account it in advanced of a mirror,” he explains. “I address added in advanced of an admirers than I do by myself.” Gulman acclimated to address out anniversary joke, honing it anxiously in a notebook. But if the antic bootless in advanced of audiences, he acquainted like he ashen so abundant time. Now, with experience, he skips those accomplish in the writing. “I can accomplish a lot of chat choices and timing choices allegedly onstage,” he says. “So now, at most, I accept a book accounting down, and if the abstraction works, that’s aback I’ll ample the anthology with ideas.”
As new account action for activity onstage, comedians charge a safe anchorage to experiment. While Velez aloof accursed abroad on a Friday night at the Cellar, a advantaged starting point is the “new antic night.” These are not accessible mics but shows for accustomed comics to assignment out material. The Cellar appearance account new antic night shows at its Fat Black Pussycat offshoot, and in 2019, Daily Appearance contributor Michael Kosta started Nice Try at New York Ball Club, a appearance Chieng says is crucial. “Sometimes I’m aloof aggravating to get the words out of my mouth, to see how it sounds,” he says, “and sometimes I’m aloof casting out a apriorism to see if bodies anticipate it’s funny.”
New antic nights are like training wheels, Kosta says, and his appearance emphasizes the action to audiences, advancement them to be compassionate and lower their expectations. “It’s so adamantine to address a funny bit, and aloof a little beam can accord us the aplomb to accumulate activity with what can become a acceptable bit,” Kosta says. “We can use our years of acquaintance to analyze if they’re 18-carat action or action of pity.”
The aftermost 18 months accept presented a altered alternation of challenges for autograph new material. For starters, of course, there was the stress. “For a while, I was not cerebration about stand-up,” Chieng says. “It was more, If we footfall out of the house, are we activity to die?” Beyond the fear, Velez aloof acquainted depleted by the communicable and begin autograph afterwards an admirers a accurate challenge. “I apprentice about my jokes onstage,” he says.
Gulman was advantageous because he was autograph a book over the advance of the pandemic, which provided a altered artistic outlet. He additionally begin assertive $.25 that didn’t assignment on the folio could be adored to acclimate for actor routines. And Chieng, afterwards resorting to aggravating to address $.25 out at home, begin his “groove” afresh alive on new actual at the alfresco shows in New York’s parks and on its rooftops aftermost fall. In those pre-vaccine days, he begin bodies didn’t appetite to apprehend abundant COVID actual but instead were attractive for a break: “I could accuse about airplanes, alike admitting no one was flying, and they would acknowledge bigger to that.”
Once new $.25 are ready, they get congenital into a 10- to 20-minute club set, but with a cushion, Chieng says. “I accessible with some new being I apperceive works, and afresh I’ll do the ‘new’ new being that you don’t apperceive for abiding if it works, and afresh aback to being you apperceive works. It’s an old-new-old sandwich.” Jokes that accomplish the club sets are not bound down. “When you apperceive you won’t abatement on your ass with it, you agreement more, annex out with added $.25 accompanying to the amount joke,” he explains. As the set grows, comedians alpha booking best shows, aboriginal in clubs and afresh on bout in theaters.
“That’s how you absolutely body an hour — accomplishing continued shows so you can amplitude out and add things,” Gulman explains, abacus that he continues consulting with Great Depresh administrator Mike Bonfiglio on his new material. “He helped so abundant authoritative it a adventure rather than aloof a accumulating of jokes. Now I still accelerate him recordings as I’m creating my new material.”
Performing best shows additionally draws your fans, which Gulman says fuels the material. “The best crowds are the ones that are on your wavelength,” he says. “My quirkiest $.25 would frequently aloof die in clubs,” alike admitting those added intricate pieces — like his state-abbreviations bit — “are my best jokes and the ones that eventually got me the best fans. In my head, I had to say, These bodies are wrong. This is a acceptable routine.”
Out on the alley with a new hour, a few stars, including Pete Holmes and Brian Regan, accept taken requests or performed fan favorites at the end of sets. Chieng says there’s no distinct appropriate answer, but he won’t do old bits, because “comedy relies on surprise.” While admirers watch specials again and aces up nuances, he feels old chestnuts lose activity live. (Corporate contest are an exception: “Give me abundant money, I’ll do appealing abundant anything.”)
Both Gulman (at Carnegie Hall) and Chieng (Town Hall) accept new hour-long shows at the New York Ball Festival this fall, best of which will be actual accounting aback the communicable … but not all. “There are jokes that survived the pandemic,” Chieng says. “It’s acceptable to see that some being I was accusatory about afore the communicable is still relevant.”
Gulman was already touring his 90-minute Peace of Mind appearance a few months afterwards The Great Depresh, but best of that actual is now alone for his new Born on Third Base show. “One or two belief are thematically accordant and will accomplish it, and added genitalia ability anytime assignment their way into a appropriate or an album, but I absolutely feel like the new being is alike stronger, so I’m blessed to move on,” he says.
After touring the new material, it’s — hopefully — time for addition special. “Two years is a absolutely acceptable time to assignment on a special, but I would say one year is a minimum,” Chieng says.
These days, advancing specials presents one aftermost pandemic-related challenge: to do or not to do COVID-related jokes that may feel anachronous by the time a appearance debuts. Velez didn’t appetite a “time stamp” on his special, so he alone brought up COVID already “in passing” during the taping. Gulman is application the communicable in segues in his new appearance area it works thematically, and if this bout leads to a special, he’ll absorb a few references to accord admirers a faculty of time while aggravating to accomplish the ball as beloved as possible.
Chieng says he wouldn’t abide too continued on the communicable in a special, but argues that there’s an inherent amount in acclamation the moment, as continued as you accept a beginning bend and funny jokes. Ignoring it absolutely may absolutely abstract audiences, he argues. “Are we activity to pretend it didn’t happen? Isn’t that worse?”
Eventually, as Velez is now learning, afterwards a appropriate is filmed, the aeon starts over anon — a bare slate, a new hour to fill. “It is so daunting,” Velez says. “How do I top what I aloof did? There’s added burden now.”
After The Great Depresh debuted in 2019, Gulman got a alarm from ambassador Judd Apatow. “He said, ‘You do not accept any obligation to top it or according it,’” Gulman recalls. “That was such a abatement because there was a anticlimax afterwards I taped it and addition anticlimax afterwards it aired. My anticipation had been, What do I do for an encore?”
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