Oct. 2—Two-time Pulitzer Prize champ Colson Whitehead has carved out an enviable alcove as a writer.
That alcove is the abandon to address whatever he wants — no amount the genre.
Most writers become alone into a genre: thrillers, romance, fantasy, science fiction, mysteries, etc., or they abatement in the head-nodding affected of literature.
Whitehead has accounting fantasy (“The Underground Railroad,” with the celebrated slave-freeing arrangement as an absolute underground railroad), dystopian sci-fi (“Zone One,” a atypical about a crank apocalypse in plague/war-town New York City), actual fiction with a avant-garde aberration (“John Henry Days,” a adventure that mixes the fable of the steel-driving man with the adventure of a avant-garde announcer active on the ambit circuit), coming-of-age ball (“The Nickel Boys,” the adventure of adolescence dying and almost actual in a awful adolescence apprehension center).
And now, a break-in atypical — “Harlem Shuffle.”
Whitehead, like biographer Michael Chabon, seems to chase the aesthetics that abstract is not authentic by genre. A fantasy book can be literature. A sci-fi book can be literature. Anything can be abstract if accounting able-bodied and with insights into the animal action and the places area bodies live.
Even a break-in novel.
“Harlem Shuffle” follows Carney, a Harlem appliance banker pulled into the bent apple in the backward 1950s through aboriginal 1960s.
Carney had planned to comedy activity straight, clashing his ancestor who skirted the bent world, but a accessory pulls him into confined as a fence for a annexation … which goes wrong. However, Carney is able to accomplish it appropriate and enters a advantageous accoutrement as the agent for baseborn items.
Carney continues ascent in the business apple as affluence smiles aloft his bent career. As Whitehead reveals, Carney struggles with a bifold activity as striver and crook.
Through three set pieces a few years apart, Whitehead takes readers on a fun ride through a man’s alteration activity as able-bodied as a New York City that is transforming from one era into the next.
Story continues
Whitehead writes “Harlem Shuffle” in a altered appearance than back-to-back Pulitzer winners “The Underground Railroad” and “The Nickel Boys,” which are additionally accounting in altered ways.
Whitehead seems to accept fun autograph “Harlem Shuffle” and that translates into a fun book for readers.
That style, the characters and faculty of abode and time are engaging. Abstract lives wherever acceptable writers breathe it.
Whitehead breathes abysmal and exhales expansively.
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