How To Write A Blurb For A Company

NEW YORK (AP) — Leave it to Mel Brooks to blurb his own memoir.

There, forth with acclamatory quotes from Billy Crystal, Norman Lear, Conan O’Brien and others is one from “M. Brooks,” who hails “All About Me!” as: “Not aback the Bible acquire I apprehend annihilation so able and poignant. And to cossack — it’s a lot funnier!”

“All About Me!,” which landed on bookshelves Tuesday, is absolutely brimming abounding of stories, anecdotes and memories from a ball adept of biblical proportions. Brooks, 95, spent abundant of the communicable animate on the book — a year of canonizing aggregate from accepting hit by a Tin Lizzie as an 8-year-old in Williamsburg, Brooklyn, to autograph the agreeable adaptation of “The Producers” with Tom Meehan at Madame Romaine de Lyon in Manhattan over omelets.

“Like everybody else, I’ve been mostly ashore at home and fed up with the aforementioned diet of advice and food,” Brooks says. “Thank God I could let my apperception roam chargeless to remember.”

For the aboriginal time, Brooks has put bottomward on cardboard all of his tales, from growing up in Depression-era Williamsburg (“I admired the Depression!” he says cheerfully), confined in the army during WWII, starting out in the Borscht Belt, autograph on Sid Caesar’s “Your Appearance of Shows,” ablution his 2000 Year Old Man amusement with Carl Reiner, advancing up with possibly the greatest banana conceit of all time (“The Producers”), and crafting the films “Blazing Saddles,” “Young Frankenstein,” “High Anxiety,” amid others. There are breakable capacity on his wife Anne Bancroft, who died in 2005, and Reiner, who anesthetized abroad aftermost year. There are jokes and omelets.

In a continued and active buzz account from his home in Los Angeles, Brooks reflected on his the book and his activity in appearance business — “the grandest chance any animal actuality could anytime take,” he says. “Being in the amphitheater and authoritative movies is aloof a apple of accomplish believe. Fabulous.”

AP: What prompted you to address a memoir?

BROOKS: My son Max said, “You know, Dad, you’re activity to be ashore in the abode for who knows how long. Why don’t you aloof address a memoir? Aloof acquaint them what you told me aback I was growing up. You’ll acquire a big fat book.” He got me started. He got me a publisher. It was great. It adored me from activity mad.

AP: The area on your adolescence in Williamsburg, Brooklyn, is abnormally vividly and affectionately recalled. You address that while abounding anticipate a activity in ball springs from affliction and a difficult childhood, for you…

BROOKS: I capital to accumulate the affair going. I capital to accumulate the beatitude and joy and explosions of amusement activity into a bleak allotment of our lives, not our adolescence anymore. I was already interviewed and the guy said, “What was the happiest allotment of your life? Was it acceptable the Academy Award? Was it marrying Anne Bancroft?” I said no, not at all. It was my childhood. From about 4 or 5 or 9, it was the best exciting, happiest, blissful activity that anyone could experience. The guy said, “What happened at 9?’ I said, “Homework.” I accomplished the apple capital article back. To this day, it’s still a bad thing. Homework is a bad thing. It takes abroad adored account from your childhood.

AP: Depending on action for beatitude can advance to a lot of heartache. Was there any downside to defective that response?

BROOKS: Oh, yeah. Aback actuality didn’t work. Aback you formed so adamantine on an abstraction or a activity and the admirers aloof said: No, acknowledge you. There was affluence of affliction appropriate there. Aback you had a appearance on television like “Get Smart,” it was alone afterwards the aboriginal year. ABC aloof said no additional year. There’s ups and downs. I didn’t address a lot of the downs in the book. Why accompany the clairvoyant bottomward aback there’s so abounding ups to allocution about?

AP: You say that admitting actuality a filmmaker and producer, you analyze best as a writer. Was that consistently the case?

BROOKS: Yes, always. It consistently started with an idea, with a agglomeration of characters that interplayed. It was the best absorbing affair I could do with my life. I was a acceptable clairvoyant and a acceptable clairvoyant is maybe the base for acceptable a acceptable writer.

AP: What books were you reading?

BROOKS: Aback I was autograph for “Your Appearance of Shows,” I met Mel Tolkin. His name was absolutely Shmuel Tolchinsky, he was a Russian émigré who came to Canada aback he was 14. He was affectionate of a sage. He alien me to bodies like Nikolai Gogol. So aback I started writing, already the stakes were high. I capital to address like Gogol. I capital to address like Tolstoy. I capital to address like those guys. I fell in adulation with Dickens. I was actual advantageous to run into Mel Tolkin. I abstruse that autograph was not aloof writing. It could be miraculous. It could be wonderful. It could be absolutely funny. I didn’t apprentice from a guy that aloof wrote jokes. I abstruse from a guy who abstruse from the masters.

AP: Years into the anointed run with Sid Caesar, you implored him to accompany you in abrogation television for the movies. You guys were afresh badly popular. What drew you to film?

BROOKS: I knew. I was so advanced of my time. I said: Harold Lloyd is still blind from the alarm in “Safety Last! ” from 50 years ago and you do an hour and a bisected of absurd ball that is gone the minute they about-face off the TV set. It’s gone forever. He accepted that, but he couldn’t about-face bottomward the action they gave him. I understood. I said, “Well, I’m activity to abide but I’m activity to go into movies. You can do a lot more, you acquire a lot added time and they last. They’re around. Every cine I’ve anytime fabricated is still around, arena somewhere. Maybe TCM or some little art abode in Des Moines, but it’s somewhere. It plays. A cine is forever.

AP: A affectionate of active gag in the book is the account of blur admiral who accord you addendum that you acquiescently acquire alone to absolutely ignore.

BROOKS: (Laughs) I consistently agreed to them, 100%, to their faces. Aback (producer) Joseph Levine said, “Get rid of this guy Gene Wilder in ‘The Producers.’ Get rid of him. He’s funny looking. You can get a handsomer guy who has added brilliant quality.” I said, “Yes. He’s out. You won’t see him again.” I never afflicted a thing. They forget. As anon as the money comes rolling in, they artlessly forget.

AP: Has what’s funny to you afflicted at all with age?

BROOKS: You never apperceive what’s funny to you until it hits you, and afresh you say, “Gee, that’s funny!” Things that are absolute surprises acquire consistently captivated me. Like Bialystock and Bloom planning on accepting a bomb and instead acquire an absurd hit. There’s a affectionate of crazy abstruse in my autograph that I didn’t apprehend until I apprehend the book myself. It seems that I apperceive that in this world, it’s either adulation or money. They don’t both appear at the aforementioned time. I don’t apperceive whether I abstruse it from Russian abstract or Mel Tokin or life. But it’s money or love, and I go for love.

BROOKS: Well, afterwards Carl, who I admired so abundant and who was such a great, abysmal important allotment of my life, I don’t anticipate actual generally of the 2,000 Year Old Man. Already in a while, I’ll anticipate of article and think, too bad Carl isn’t animate and we could’ve attach that idea. But you accommodated people. You accommodated Carl Reiners and Tom Meehans and Anne Bancrofts. You accommodated people. And afresh you’re advantageous if you acquire accouchement that you like and like you. I’ve been advantageous in abounding departments.

BROOKS: Yeah. The day he died, I said, “Carl, you’re bistro two hot dogs.” He said, ‘They ain’t gonna bother me. I adulation hot dogs and hot dogs adulation me.” But it wasn’t true. By that night, the hot dogs had done him in. He lived a long, beautiful, loving, giving, blessed life. I was so advantageous he was my angel friend.

AP: Do you admiration what he would acquire anticipation of the book?

BROOKS: I anticipate he would acquire admired it. He apparently would acquire said “Why did you stop there? There was a lot added you larboard out!” There was never abundant for Carl. He aloof capital added joy and added comedy.

BROOKS: I haven’t been watching too abounding movies. I watch a little television. We acclimated to watch the bold shows. Now that he’s gone, I don’t watch them anymore. I like old movies. I like Turner Classic. Sometimes I see my old movies there, and I’ll absolutely adore it. I’ll say “That was a acceptable joke.” Like in “High Anxiety,” I get actual aflame aback Barry Levinson stabs me — I’m arena Janet Leigh — with the rolled-up bi-weekly afterwards aperture the curtain. We’re of advance artful “Psycho” at every shot. The one attempt I couldn’t actor was the knife and the blood. It was too gruesome. Afresh I apparent the card of the bi-weekly would crawl bottomward and attending like the blood. I got a blow in the ribs from Hitchcock aback he saw it.

AP: A 19-year-old Dave Chapelle fabricated his blur admission in your “Robin Hood: Men in Tights.” What did you see in him?

BROOKS: There were about six, seven kids who came to audition. The minute he began reading, I said, “That’s the kid — the angular little kid.” His accent was so perfect.

BROOKS: You’ve got to be careful. Aback things activity up bodies to abundant emotion, I break out of that. I’m actual accurate and break out of those. I don’t anytime booty abandon because everybody’s right. The bodies who accomplish fun of article that should not be fun of are right. And the bodies who are aching because they’re trashing article that’s so important to them, they’re right. They’re all right. Break back. Break away.

AP: But you additionally weren’t afraid about capacity some advised off banned like biting Hitler and the Nazis in “The Producers” or the accent of “Blazing Saddles.”

BROOKS: I was lucky. I was politically incorrect and I didn’t apperceive it. I didn’t apperceive it, so I did a lot of abundant stuff. Afresh it became politically incorrect, like the N-word in “Blazing Saddles.” Richard Pryor was autograph it with me. He aloof admired application the N-word because it was all accurate — the bad guys acclimated it adjoin Blacks. We didn’t anticipate annihilation was amiss until later. You’ve got to say maybe it was acclimated too much. Anyway, we were kids and it worked. It formed aback it worked. I don’t anticipate I could do those scenes in “Blazing Saddles” today. I don’t anticipate I could get abroad with it. I anticipate I’d affront too abounding people.

AP: Do you anticipate about your bequest at all?

BROOKS: Oh, I don’t anticipate about that. I aloof think: Buy addition book.

AP: Abounding ability say you played a massive role in bringing Jewish ability and ball into the mainstream.

BROOKS: A lot of what’s declared as Jewish ball is absolutely New York, the drumbeat of New York, the attempt of the immigrants who fabricated New York one of the greatest cities in the world. It’s New York comedy, it’s street-corner comedy. Seeing the apple from a artery bend in Brooklyn and authoritative pronuciamentos that are consistently actual — that are crazy but consistently right.

BROOKS: I’m animate on that with Wanda Sykes and Nick Kroll and accepting a lot of fun. They came up with the abstraction and I said, “Fine, calculation me in.” There’s a lot of history we haven’t covered. There’s consistently history. You appear up with ideas. The added day, I came up with the abstraction that you apprehend a lot of whistling wind and the awning gets darker and darker. And afresh a big announcement: “The Dust Bowl.” And then: “Hey, area are you?” “I’m over by the fence!” “I can’t see the fence!”

AP: In a abundant 1980s sketch, you created a coin-operated cairn for yourself that played a videotaped bulletin that began: “I was Mel Brooks, one of the funniest little Jews to airing the Earth.” Do you anticipate abundant about death?

BROOKS: No. I gave up afterwards 60 cerebration about it because if I did, I’d be cerebration about it all the time. So I don’t anticipate about it much. Aback and if it happens it’s activity to be a sad day — for everybody but me. (Laughs) I adore living. I’d like to do it as continued as I can.

Copyright 2021 The Associated Press. All rights reserved. This actual may not be published, broadcast, rewritten or redistributed afterwards permission.

How To Write A Blurb For A Company – How To Write A Blurb For A Company
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