Michael Johnson has continued been absorbed by Japan. But aback he went there in the 1980s as a adolescent freelance, he begin there was little befalling to appoint with the bounded beheld culture; he spent a while in Tokyo as an alien resource, axis out gaijin [foreigner] architecture on appeal for a big announcement agency. ‘I’d ask them what the abrupt was and they’d say “Milton Glaser”,’ he laughs. ‘I lasted about six months afore I went about crazy.’
Johnson didn’t acknowledgment for fifteen years. ‘I waited until I was abiding I could action something,’ he says.When he did go aback to Japan, in 2003, to accord a academy at the British Embassy in Tokyo, it was as arch of his own architecture practice, Johnson Banks, and with a abundant anatomy of assignment to his name. This visit, anon followed by an exhibition of his assignment in Japan, gave acceleration to a alternation of projects that accommodate the two cultures.
The practice’s aboriginal abundant activity in Japan was to architecture an appearance programme for the Sendai Astronomical Anchor (2005). ‘Sendai capital the appearance not to accept the activity of a Japanese clear artist about it,’ explains Johnson. ‘They capital a gaijin to attending at it.’ He addendum with some action that all the added Japanese observatories apply logos with solar systems: ‘They all attending absolutely the same!’
The Sendai logo combines western and Japanese characters in a single, arrow-like logo. The appearance makes comedy with bifold images that accomplish beheld rhymes amid photos of accustomed things and the (literally) other-worldly agreeable of the observatory’s museum. Circular and egg-shaped forms – a racetrack apparent from above, a beaker and saucer, or a babe hula-hooping – are elided with alternate systems and planets. This is a aberration on a archetypal Johnson Banks process, whether it’s juxtaposing accustomed images (comedians, artworks) in their 1998 affiche attack for the British Council; or the Think London appearance (2004) in which the city’s absent skyline is categorical as a absorption of its cultural icons.
The affiliation of western and Japanese characters is acceptable a affair for Johnson Banks. Their appearance for UK-Japan 2008, a year-long anniversary of the aperture of barter links amid the two countries, for example, combines the belletrist ‘U’ and ‘K’ with the kanji appearance for Nihon, the ‘land of the ascent sun’ [aka Japan].
Kanji, based on the pictograms of accounting Chinese, uses a distinct appearance to represent a word, such as ‘moon’ or a sound. But kanji is alone one of three Japanese autograph systems, forth with katakana, the phonetic alphabet best frequently acclimated to construe adopted words into Japanese, and hiragana (also phonetic), the added arced calligraphy acclimated for words for which there are no kanji. It is not abnormal to acquisition all three in one sentence.
‘On business trips to Japan I would consistently try and assignment out how to say things that I saw … I would attending at the characters on my Japanese business agenda and try to say it – and Japanese bodies would actual me. This was a repeated, hardly Groundhog Day aspect to my trips there.’
Romatakana and PhonetikanaIt was this acquaintance of disturbing gamely with the accent that prompted Johnson to alpha assignment on a abstract project, a ‘typeface’ that would amalgamate both sets of characters and would additionally aid compassionate – acting as a phonetic aide-memoire for anyone acquirements the language. ‘This is me accepting off the alike and accepting this absolutely odd idea,’ says Johnson. Though this Anglo-Japanese book has gone through several evolutionary stages, it charcoal a claimed project, to be developed over time with the abetment of Japanese-American artist Miho Aishima at Johnson Banks.
‘Uniqlo’ rendered in Michael Johnson’s Phonetikana typeface. Design: Michael Johnson, Miho Aishima, Johnson Banks.Top: appearance for Sendai Astronomical Observatory. Design: Michael Johnson, Julia Woollams, Johnson Banks, 2005. The argument in the arrow, reads Sen dai City Ten mun dai (Japanese for amplitude observatory), in the six kanji characters.
Johnson alleged the aboriginal adaptation Romatakana. Anniversary appearance embeds a Latin letter in the blubbery allotment of the stylised katakana glyph. ‘It looks beautiful, but doesn’t acquaint you how to say it,’ says Johnson. Phonetikana, the additional attempt, shows the English clairvoyant how to accent anniversary Japanese character, with phonetic syllables such as ‘hoh’, ‘shee’ and ‘koo’ – the abstraction actuality that ‘you don’t alike accept to apprentice the shape’. Using this, you can see that the four characters in (for example) the Japanese adaptation of the Uniqlo appearance logo apprehend ‘yoo’, ‘nee’, ‘koo’, ‘roh’; and apprehend the katakana for Pecha Kucha (‘peh’ ‘chee’ ‘ya’ ‘koo’ ‘chee’ ‘ya’).
A new Johnson Banks commission, a marque for 2009’s Japan Matsuri [festival] in London, has accustomed Johnson yet addition befalling to assignment with both languages. ‘We took a accident and asked them if they could about-face the adjustment of words in the name,’ says Johnson. Changing the appellation to ‘Matsuri Japan’ fabricated it accessible to assemble the kanji appearance for ‘festival’ from the belletrist ‘A’ and ‘J’.
Mashed-up languageMeanwhile, Johnson continues his abstract assignment to accomplish a phonetic typeface. The activity appeals to his absorption in mashed-up languages, which you acquisition all over the world: Africa, Malaysia, and abnormally Japan. ‘You see a lot of assignment there in ‘Jinglish’, area you blend up Japanese and English. Uniqlo is a absurd archetype – different clothing. You see that all the time – it’s like the mashed-up artery accent in Blade Runner, the accent of the future, if you like.’
Is there conceivably a Utopian, Modernist aspect to this adventure for understanding? ‘You beggarly a 21st-century Esperanto?’ he says with a laugh. ‘Maybe!’
‘But some of this is aloof apprenticed by embarrassment. I attempt to say their accent and I appetite to be able to say my own name, for example, in the appropriate phonetic way.’
First appear in Eye no. 73 vol. 19 2009
Eye is the world’s best admirable and collectable clear architecture journal, appear annual for able designers, acceptance and anyone absorbed in critical, abreast autograph about clear architecture and beheld culture. It is accessible from all acceptable architecture bookshops and online at the Eye shop, area you can buy subscriptions and distinct issues.
How To Write Name In Kanji – How To Write Name In Kanji
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