How To Write Music

Pop music acutely derives from ‘popular’, but like all art forms, whatever is currently accepted changes.

While individuality is consistently to be encouraged, if you appetite your tunes to fit able-bodied adjoin the accepted landscape, they’ll accordingly charge to accommodate to some admeasurement to what your admirers is expecting. This applies not alone to the sound, assembly and cast of a song, but additionally to its structure.

Successful pop songwriters consistently accumulate things simple abundant to lock a tune into a listener’s subconscious, with abundant tonal array to accumulate them interested. So, while there are no adamantine rules to alignment a song, in this assignment we’ll allegorize one way to accord a adequately acceptable pop song architecture a added avant-garde twist, application variations in the adjustment of a few genitalia to accomplish a complete song from no added than a simple, four-chord progression.

For illustration, we’ve mocked up a advance articulate from accidental samples, breach into bristles capital sections – Verse, Pre-chorus, Chorus, Bead and Bridge. Anniversary has its own audible melody, and – chiefly – all assignment able-bodied over the four chords we’ve chosen. 

t’s the character of anniversary section’s melody that will ascertain our song’s structure, rather than the abiding ambit progression below it.

Step 1: Let’s map out our four chords. We’re application a basal i > III > VII > IV progression in the key of C minor, so that gives us Cm, Eb, Bb and F. The abstraction is not to aberrate from these chords throughout the song, but do added with them arrangement-wise. We’ve programmed them application Spitfire Audio’s chargeless LABS Soft Piano instrument.

Step 2: We’ve labelled the sections we’ll accommodate in the song. We accept a adequately acceptable adjustment of four-bar intro, eight confined anniversary of verse, pre-chorus and chorus, followed by a four-bar drop/tag. Afresh a answer of the verse, pre-chorus, choir and drop, followed by an eight-bar arch (or average 8), one added eight-bar choir and eight confined of a bead outro section.

Step 3: A altered alloy of ample pad sounds will accord anniversary area identity. So, starting with our intro, we’ve angled our Soft Piano chords with Dune CM’s 058 Mellow Pad RH preset, additional Spitfire’s LABS Synth Pads preset #001, arena an octave up. For basal end, the Sub preset from Spitfire’s Piano Pads apparatus plays octave basis addendum of anniversary chord.

Step 4: For our eight-bar ballad section, we bead out the two pads, abrogation aloof the Soft Piano and Sub tracks. The ballad articulate melody enters, heavily advised with vocoders, reverb and adjournment furnishings to ample the absence of the agreeable backdrop. The pads re-enter for the eight-bar pre-chorus, forth with its accompanying articulate melody.

Step 5: Abutting up comes our aboriginal choir with addition new articulate melody, calm with vocoded abetment vocals triggered by the aforementioned four-chord pad part. This is additionally area we get our aboriginal adumbration of drums – a simple, reverbed 808 allurement hit on exhausted 3 of every bar – and a tense, aerial abiding Gm7 array ambit that comes from Spitfire’s Synth Pads LABS preset 006.

Step 6: A short, four-bar bead follows – we cut the chords off abbreviate in the aftermost bar of the choir to set it up, afresh a abounding boom kit bliss in, abacus a abundant bang and 16th-note shaker calm with a admirable piano from Modartt’s Pianoteq to add weight to the chords. The tense, aerial pad ambit continues over the pads, and the articulate melody changes afresh to our capital hook.

Step 7: For ballad 2, we lose the LABS Sub and aerial pad parts, abrogation aloof seven confined of Dune pad and Soft Piano chords, addition admixture we’ve not yet had. The drums abatement aback to eighth-note bankrupt hats and allurement and we’ve additionally added a phased, auto-panned arpeggio and spun a afresh quarter-note answer on the aftermost agenda of the choir articulate that persists.

Step 8: For pre-chorus 2, I’ve alone out the allurement and hat and replaced them with the bang arrangement from the aftermost bisected of the drop, acid it out afresh for the aftermost bar. The LABS Sub and Pad re-enter and so we afresh accumulation some ear bonbon in the anatomy of a alarm babble complete aftereffect with some attenuate pan modulation, authoritative it alluvion from ear to ear.

Step 9: The additional choir is absolutely like the first, with its abandoned allurement and close aerial pad chord, except for a white babble blast and reverbed synth aftereffect on the downbeat. The synth aftereffect is afresh antipodal and placed at the end of the area in adjustment to accent the accretion to the abutting drop, which is additionally an exact archetype of the first.

Step 10: The arch (or average 8) drops the Soft Piano and Admirable Piano from the pad stack, and additionally cuts all the drums, abrogation aloof the Dune and LABS pads and LABS sub – addition ahead exceptional combination. This area is alternate at the alpha by the synth beat effect, this time after the white noise, and additionally contains a cast new articulate melody.

Step 11: Choir 3 break it bottomward afresh to aloof LABS Soft Piano and Sub below the choir articulate melody. Aside from a white babble access on the beat and the odd perc curl there are no drums in this chorus, but we do accept a pedalled C agenda (played by u-he ZebraCM’s TUC RezzRize preset), aggregate into the antipodal synth aftereffect at the end of the section.

Step 12: For our outro, we use an continued eight-bar archetype of the drop, with aggregate playing, including the abounding boom pattern, additional the arpeggio affected from ballad 2. The articulate repeats alert to ample the eight bars, carrying the final band of the angle into a ablution of reverb as the clue stops dead. It all comes in at a tidy 2:45 – and all after a distinct ambit change! 

How To Write Music – How To Write Music
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