Publish date:
Sep 18, 2021
In this week’s annular up brought to us by Calligraphy Magazine, apprehend blur reviews from Tom Stemple, allotment three of autograph changeable characters, interviews with Free Guy scribes Zak Penn and Matt Lieberman, The Eyes of Tammy Faye biographer Abe Sylvia, and more!
In this week’s annular up brought to us by ScriptMag.com, apprehend blur reviews from Tom Stemple, allotment three of autograph changeable characters, interviews with Free Guy scribes Zak Penn and Matt Lieberman, The Eyes of Tammy Faye biographer Abe Sylvia, and more!
Tom catches up on some films that accept been about for a while, such as Shiva Baby, Kajillionaire, First Cow, The Hitman’s Wife’s Bodyguard, Soul, as able-bodied as one newbie TV show, “The White Lotus.”
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Script contributor Stewart Farquar examines why the old “formula” of changeable characters is abbreviating at the box office, how changeable characters are authoritative a mark in absolute and mini-series productions and why now is the time for scribes to amusement changeable characters as people.
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Zak Penn and Matt Lieberman are the scribes abaft this freewheeling adulation letter to gameplay. Though they accept actual altered perspectives, the commonality of their faculty of amusement and adeptness to alter the activity anecdotal makes them commutual to anniversary other’s style. The “open worlds” they actualize in abounding of their belief acquiesce our imaginations to biking to alien territories, guided by their closed storytelling.
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Academy of Motion Picture Arts and Sciences, Margaret Herrick Library
Script contributor Dr. Rosanne Welch puts a applicable spotlight on biographer Bess Meredyth, Hollywood’s abandoned bashful era trailblazer and co-founder of the Academy of Motion Picture Arts and Sciences.
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Courtesy of Searchlight Pictures. © 2021 20th Century Studios All Rights Reserved
The Eyes of Tammy Faye biographer Abe Sylvia speaks with Script’s Editor Sadie Dean about his filmmaking journey, his claimed and animated alikeness to Tammy Faye, and what artistic decisions he had to accomplish in adjustment to put alternating the best adventure possible. Plus, he shares invaluable admonition for screenwriters absorbed in adapting accurate stories.
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Script’s Editor Sadie Dean interviews filmmakers and brothers Christian and Justin Long about the catalyst for Lady of the Manor story, their artistic collaboration, cheating in a Trojan horse for ball and attenuate amusing commentary, and alive with their casting and crew.
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In this chapter of “Ask the Coach” Jenna Avery answers a pre-submitted catechism about award the appropriate clairvoyant for your calligraphy and genre.
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Photo by John Rogers, Regency Entertainment
Screenwriter Tom MacRae talks about his new blur and agreeable Everybody’s Talking About Jamie, autograph in actual and claimed acceptation into the cine and adapting his date comedy to a film. Plus, he shares acumen on his lyric autograph action and offers admonition for scribes absorbed in autograph a musical.
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In this appropriate double-header interview, Script’s Editor speaks with ‘Best Sellers’ artistic aggregation biographer Anthony Grieco and administrator Lina Roessler about abutting storytelling, abutting to accurate characters, and borer into your different eyes and voice.
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