How To Write An Aria

As the blind lifts on the West End already again, accustomed appearance tunes answer bottomward the streets of axial London. The brand of Les Miserables, Six, Wicked and Mamma Mia are back, forth with a sea of blur adaptations such as Aback to the Approaching and Frozen – Shaftesbury Avenue on a Saturday black is abounding with theatregoers already more. But breadth is the new writing? Are aboriginal new musicals alike actuality put on in the West End anymore?

Katy Lipson of Aria Entertainment and Adam Lenson of ALP Musicals answered these questions in amazing appearance at the Garrick Theatre on Monday. In their concert assembly The Chamber Agreeable Sessions, 15 new musicals were showcased on a West End stage. With West End actors assuming one or two songs from anniversary show, audiences were advised to an all-embracing ambit of pieces from a host of agitative new voices.

The musicals – all absolutely aboriginal – covered a all-inclusive arrangement of subjects, alignment from Elizabeth Holmes to YouTube acclaim to the action of accepting a adolescent as an LGBTQ person. Anniversary autograph aggregation gave a arbitrary of their appearance afore their songs were performed, giving a absolute flavour of the arduous ambit of new-writing musicals. Hearing about the (often personal) afflatus amid the songs additionally gave added of a window into anniversary of the shows and the bodies abaft them.

Two shows accept accustomed abounding commissions: Echoes by Freya Catrin Smith and Jack Williams, and Eartha, Eddie, & the Upside Bottomward Tree by Leo Munby and Annabel Mutale Reed. Echoes tells the adventure of a adventurous accord amid two women from both of their perspectives, with anniversary act actuality told from a altered point of view. Their additional song “One Step Forward”, performed by Evie Rose Lane, approved the show’s aciculate lyrics, affecting score, and able characterisation.

Eartha, Eddie & the Upside Bottomward Tree moves amid places and time periods to acquaint a avant-garde bogie account of adulation and wish-making. Sharon Rose gave a showstopping achievement of two songs from the show, with aerial choruses that wouldn’t accept been out of abode on a Tony or Olivier Awards stage.

Other standout numbers included “What If” from How to Save the World by Guy Woolf and Isla Van Tricht, a refreshingly funny appearance about the conception of the aboriginal Superman comics set to a animated score. Comedy was additionally begin in “Margate” from Harder Baby by Tommy Antonio and Robert Cawsey, a song about the abhorrence of seeing all your accompany clearing bottomward in blocked baby towns.

In “Girl in My Own Armour” from Open Mic 1803 by Eden Tredwell, Emma Kingston showcased what could be a approaching basic MT changeable solo. Another assertive achievement came from Robin Simoes da Silva, singing “Meant for This” from Treehouse, which he additionally co-wrote with P Burton-Morgan – as anon as they opened their mouth, an addled blackout fell aloft the auditorium.

In deathwatch of an already abominable Telegraph commodity suggesting that the cardinal of musicals on the West End currently “means little allowance for austere plays”, this concert accepted that agreeable theatre can be appropriately “serious”. Many shows put advanced ambitious, aboriginal concepts, such as Escape Allowance by Sarah-Louise Young, Richard Link and Paul Chronnell, a appearance that appears to be about a abortive ancestors in an escape allowance but is appear to absolutely be demography abode central the apperception of the mother who is in a blackout in the aftermost hour of her life. Other shows dealt with capacity of miscarriages and the brainy bloom analysis system.

Despite the bulge of long-running shows, blur adaptations and jukebox musicals on the West End at the moment, Lipson and Lenson accept able-bodied and absolutely approved that UK new agreeable theatre autograph has a huge bulk to offer. They additionally showed that the approaching of musicals can be added assorted not alone in agreement of agreeable style, but in agreement of the belief actuality told and the bodies cogent them: biographer Michelle Payne batten about actuality a banal agreeable theatre writer, while at atomic four of the shows centre about changeable LGBTQ characters, an breadth in which agreeable theatre has so far been lacking.

The approaching is bright: amid Lipson and Lenson’s projects and the anniversary MT Fest, new British agreeable theatre autograph is gradually award its way into the spotlight. It seems that one day anon those theatregoers on Shaftesbury Avenue could be bustling some new tunes.

How To Write An Aria – How To Write An Aria
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