Robert Lloyd, the son of parents who formed in the British Adopted Office, grew up in South London, Innsbruck, and Kinshasa. He advised for a Fine Art degree, starting as a mural painter, but it was while belief for his master’s amount in The History of Ideas that he aboriginal apprehend Robert Hooke’s diary, account the activity and abstracts of this amazing man.
After a 20-year career as a accessory academy teacher, he has now alternate to painting and writing. The Bloodless Boy is his admission novel. He is at assignment on a sequel. Find him on Twitter and Facebook.
Robert J. Lloyd
Photo by Kate Lloyd
In this post, Robert discusses the action of commonly publishing his ahead self-published actual thriller, The Bloodless Boy, his admonition for added writers, and more!
Name: Robert J. LloydLiterary agent: Gaia Banks at Sheil Land AssociatesBook title: The Bloodless BoyPublisher: Melville House PublishingExpected absolution date: November 2, 2021Genre/category: Actual abstruseness / actual fictionElevator angle for the book: Winter 1678. The anatomy of a adolescent boy, drained of his claret and with a arrangement of numbers inscribed on his skin, is apparent on the coffer of the Fleet River. With London absorbed by rumors of Catholic plots and adopted assassins, the Justice of Peace for Westminster enlists Robert Hooke, the Curator of Abstracts of the Royal Society, and his abettor Harry Hunt to admonition with his enquiry.
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In 2000, absolutely simply, I absitively to address a novel. For fun, and as an bookish challenge. (It’s accepted to be hardly added than that.) I bethink account Lawrence Norfolk’s Lemprière’s Dictionary, and cerebration it was absolutely the array of book I should write. I apprehend it at about the aforementioned time as Iain Pears’s An Instance of the Fingerpost, Umberto Eco’s Foucault’s Pendulum, Allen Kurzweil’s A Case of Curiosities, and Peter Ackroyd’s Hawksmoor.
All allotment a accepted amusement of language, science, pedantry, the abstruse and the arcane, and all are still amid my admired books. I should address the affectionate of book I like to read, I reasoned.
21 years! Allotment of the acumen for this amazing breadth of time is that I self-published it in 2013, afterwards four publishers were interested, but admitting authoritative the assorted changes they asked for, no arrangement ensued. This was crushing. Sheil Land Associates, my agent, again appear a Kindle version, and I produced a album application CreateSpace and awash through Amazon.
Although it accustomed some abundant reviews, it wasn’t until aftermost year, afterwards a abundant beat on his blog and a acknowledgment on the radio from Christopher Fowler, columnist of the Bryant and May mysteries, that it accustomed added attention. Word accomplished Dennis Johnson at Melville House Publishing, and—very luckily for me—he admired it, too.
One liberating change during autograph the book came back I absitively not to chase the actual almanac too closely—in added words, to booty added liberties. Otherwise, what was I bringing that was new? Before, it was too abundant history, not abundant thriller, and my all-overs to be fair to all my casting of absolute characters got in the way of a acceptable and absorbing plot. The liberties I’ve taken hopefully are plausible.
History has abounding gaps: rather than application alone contest there is affirmation for, I began to attending for these gaps, or contradictions, which gave me the abandon to ad-lib afterwards adversity so abundant guilt.
Perhaps because I self-published The Bloodless Boy, it acquainted actual aberrant to accept abundant beat addendum for the rewrite. These were appropriate politely, and I was accustomed to altercate them—even to altercate adjoin them—but I now had to argue a able rather than aloof me. The abruptness lay in how abundant I enjoyed this allotment of the process, alive with Carl Bromley at Melville House. Suddenly, I had an accessory who additionally capital it to be as acceptable as we could accomplish it.
Secondly, and a tougher apprentice because, for the self-published version, I had set the folio layout, called the fonts, and advised the cover: It was odd and abashing to apprehend I had little to do with this allotment of the process. Melville House has been affectionate abundant to broadcast The Bloodless Boy, and its sequel, so these decisions are theirs, not mine, to make.
How adamantine autograph a book is!
I set out to address a actual thriller, so I achievement it delivers a acceptable ambience and an absorbing story. It’s set in late-17th aeon London, so at a abundantly alluring time: afterwards the Civil Wars and Charles I’s execution, Cromwell’s rule, the apology of Charles II, afterwards affliction and fire, and during the Popish Plot.
I achievement readers will additionally adore Robert Hooke and his abettor Harry Hunt as the two capital characters, with their assignment for the Royal Society and their ability in the ‘new philosophy.’ It has a crime, a mystery, villains, elements of horror, and some twists forth the way. I anticipate it’s a fast-paced and agitative read.
From starting The Bloodless Boy to accepting it in a accompaniment I was accommodating to accelerate to agents took me 12 years. (Written about a full-time teaching job, but alike so.) Abundant of this time was spent annoying at the artifice and afterwards any array of catastrophe I was blessed with. This meant a lot of accidental rewriting, as I consistently dithered, alteration who did what to whom, and when.
The aftereffect took me about two years, because I started with an catastrophe in apperception and I fabricated a abundant plan. Books 3 and 4 abide apace. Sorry, pantsers out there, but that’s my advice. Have an ending. Accomplish a plan.
In this six-week workshop, you’ll ascertain the capital elements of fabulous worlds, how to address a science fiction atypical with arresting characters and plot, and address up to 2,500 words for your science fiction or fantasy story.
Click to continue.
How To Write A Thriller – How To Write A Thriller
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