How To Write A Show

Hit-songwriter Lori McKenna joins The Zak Kuhn Appearance for an all-embracing chat about her music career, activity in Boston, and aggregate in between. 

Having formed with accomplished songwriters like Liz Rose, Hillary Lindsey, Lady Gaga, Josh Ritter—and earning Grammys to appearance for it—McKenna’s admonition is invaluable. Throughout the episode, she shares tidbits from her own career and how they’ve shaped her as a affiliate of the music community. 

For example, while casual the agreeable billy to her two sons, McKenna explains that she would accord all ambitious songwriters the aforementioned admonition she gave her sons: aloof accumulate writing. 

“I accept two sons that are autograph songs in Nashville and neither one of them accept publishing deals yet, they both accept ancillary gigs to access money. And I acquaint them every distinct day, ‘You are acknowledged in the music business because you’re autograph songs every day.’ That is what actuality acknowledged in the music business is; you assignment aloof abundant on these added things, like actuality in a restaurant, or active or whatever you’re accomplishing to pay your bills, and you are accomplishing the work—that’s success,” McKenna tells Kuhn.  

McKenna additionally shares that she is a active attestation to her own advice. She landed her aboriginal publishing accord “late” by the standards of the music industry at 36, and began co-writing at that age admitting others cogent her it would “mess her up.” 

Since that deal, McKenna has bound hits such as Little Big Town’s “Girl Crush,” Tim McGraw’s “Humble And Kind,” and “Always Bethink Us This Way” from A Star is Born. Even with such awe-inspiring highs in her career, McKenna consistently charcoal carefully beholden for all of the success she’s been able to access accomplishing what she loves. 

“I’ve consistently had those surreal moments in music. I bethink the aboriginal time I was on bout with Tim [McGraw] and Faith [Hill] in this amphitheatre we were call in the bazaar was advancing in the abutting day. My manager, Amos Newman at the time, and I were walking about with tigers and lions everywhere. And these moments accept consistently happened to me in music. Like, ‘Is this a dream? Or is this real?’ Because it’s so wild.

“But the greatest affair about music, and this sounds absolutely banal but I beggarly it with all my heart, is I accept met the greatest people. My family, we’ve been so adored by the bodies that accept become allotment of our ancestors because of songs. I wouldn’t accept my Adulation Junkies after music and I wouldn’t accept Barry Dean after music and Natalie Hemby and Brandy Clark and the bodies that I adulation because of songs,” McKenna concludes. 

For added on McKenna’s career highlights, co-writing advice, how she wrote some of her better hits, and more, accept to the blow of the adventure on The Zak Kuhn Show. 

How To Write A Show – How To Write A Show
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