Yucef Merhi’s Atari Poetry VI
Photo address of Bonnier Gallery
“The actual aboriginal allotment you see, Open, summarizes actual able-bodied the activity that we appetite to acquaint about this exhibition,” Merhi tells New Times. “We appetite bodies to feel accessible about themselves and to sit and contemplate and reflect.”
“Open,” which opens Thursday, September 2, is a accord amid Merhi and gallerist Grant Bonnier, who’ve been alive on the show, which was initially slated to accessible in 2020, for added than a year.
“We’ve been bound because of the pandemic,” the artisan explains. “I spent a year in my accommodation activity boilerplate and seeing no one, and I anticipate that affects you in assorted ways. So that’s why we’re application this [universal] appellation for the show.”
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Merhi larboard Venezuela in the backward ‘90s and acclimatized in New York City for 15 years afore traveling about the apple accomplishing artisan residencies in Europe and Latin America. He acclimatized in Miami three years ago and hasn’t left.
Growing up in Caracas, Merhi’s enjoyed spending time at a bounded arcade. There, the adjacency kids would accumulate and escape from the absolute apple for a few hours. Mehri would save up money in adjustment to pay the boutique buyer and hire an Atari gaming animate and adviser for bisected an hour.
“I would absorb hours in that place,” he says, his face lighting up at the memory.
On his seventh birthday, Merhi accustomed his own Atari 2600 console, and it was as if article alive central him. He enjoyed the video games, but he was bedeviled with the science abaft it all. He took afar the animate and accomplished himself how to reprogram the machine. By the time he was 8, Merhi was autograph cipher and managed to reverse-engineer the gaming console.
Yucef Merhi’s Compassion
Photo address of Bonnier Gallery
“Atari afflicted my life,” he says with a smile. “When I started communicating with the Atari console, my acumen of technology and machines changed; it shifted. And again I got added into electronics and computers. Computer cipher has consistently been a allotment of my language, a allotment of my way of cerebration and accomplishing things.”
A accumulating of Merhi’s works from his three-decade career band the white walls of the gallery. The exhibition includes pieces from bristles altered bodies of work, abounding of which are actuality displayed for the aboriginal time. “Open” is a retrospective, but it contains a few new works as well.
Perhaps the best arresting — and adorable — allotment is a ample TV awning army on a wall. A bank placed a few anxiety abroad allows assemblage to sit and stare. This is encouraged.
Titled The Poetic Alarm 2.0, the awning displays three curve of a poem, and a alarm at the actual bottom. As the abnormal on the alarm change, the third band of the composition changes. As the account pass, the additional band of the composition is different. And if you sit continued enough, the aboriginal band of the composition changes every hour. In total, there are 86,400 variations — the aforementioned as the cardinal of abnormal there are in a day.
In the blink of an eye, you’re account a altered composition on the awning and about experiencing an absolutely new assignment of art.
“When I came up with the abstraction of this clock, I aloof capital to accomplish a point that reflected the change of time,” Merhi explains. “I didn’t appetite to accomplish a assignment of art, but again the accomplished action of authoritative the alarm concluded up as a assignment of art.”
He conceptualized the allotment in 1995 and displayed the aboriginal abundance of The Poetic Alarm in 2000.
Other clear pieces about the amplitude accommodate Artificial Stupidity (2019), which appearance affective images of the Venezuelan banderole alongside account emojis and the amphibian arch of President Nicolás Maduro; and Atari Poetry VI (2006), which displays abbreviate balladry from an Atari 2600 affiliated to a best TV.
Yucef Merhi’s The Poetic Alarm 2.0
Photo address of Bonnier Gallery
For those clumsy to arrangement the gallery, a basic walkthrough of the appearance will be accessible online.
“The accomplished point of the assignment that Yucef is accomplishing is centered about this abstraction of retro-cycling,” Bonnier says. “Our following of addition creates so abundant decay in technology, [and] because we abide to accompany new technologies, we abide to actualize this waste.”
Motioning to Merhi’s 2020 allotment blue-blooded Compassion, Bonnier addendum how artists are able to bathe accustomed altar with new acceptation and new life. Merhi’s best TV sets already belonged to inmates in the U.S. bent amends system.
As the appellation of the appearance implies, the exhibition and Merhi’s works are meant to affect visitors to accessible their minds to acquaintance things differently.
“Open” will be Bonnier Gallery’s aboriginal exhibition in 2021. Bonnier reflects on accepting to abutting the arcade in March 2020, a bald few canicule afterwards aperture a appearance featuring works by Donald Judd and Sol Lewitt. Although the arcade was accessible by appointment, Bonnier himself would generally acquisition himself visiting and sitting with the artwork.
“I acquainted somebody had to adore it,” he says.
Sitting in the aforementioned arcade about 17 months later, Bonnier looks about at the art on display. He sighs. “I can’t acquaint you how acceptable it is to be sitting in the average of this appearance — it was a adventure to get here.”
“Yucef Merhi: Open.” Thursday, September 2, through November 20, at the Bonnier Gallery, 3408 NW Seventh Ave., Miami; 305-960-7850; thebonniergallery.com.
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