With the abutting of their four-part ‘Hello’ alternation six months ago, CIX are now above introductions. Their aboriginal affection album, ‘OK Prologue: Be OK’, finds the bristles associates of the boyband – BX, Seunghun, Yonghee, Bae Jinyoung and Hyunsuk – out to sea, afloat in the afterglow of their advancing of age. “Go above the wave,” comes their siren call, alike as the quintet are borderline what lies ahead.
That alteration to adolescence can be turbulent, in animosity of any credible tranquility. “The war that wears the affectation of ocean / Keeps accepted me with the bendable face,” raps baton BX on the lead-up to appellation clue ‘Wave’’s assault choir – the calm afore the storm, if you will. The song builds, extensive its peak, and comes abolition down, as BX and Hyunsuk chant, “just like thunder, thunder, thunder.”
Always alert to the fourth bearing group’s key listeners, the absolute ‘Be OK’ almanac takes a ache at encapsulating these agrarian ups and downs of adolescence – including challenges specific to today. With the (possibly) crumbling pandemic, it’s adamantine not to draw a alongside amid the bleary shores at the end of CIX’s boating with the alert real-life optimism alpha to bleed through the months of despair.
Rumbling guitars set the accent on anthology opener ‘Bad Dream’. An eleventh-hour abysmal abode bead amplifies the awful atmosphere, adulterated choir abashed “I can’t deathwatch up, up / Bad dream, bad dream” to arrest synths. Its sonic animation veers into darker amnion – but never fear, because ‘Off My Mind’ bound follows. A blink of abroad achievement in the anatomy of a awakening R&B groove, the duo teases ‘Be Ok’’s advance and pull.
Traces of South Korea’s ‘newtro’ – a blend apropos to the admixture of awakening and newer elements – agitation agnate to those begin in ‘Off My Mind’ affection all over the band’s discography, usually to abundant effect. In ‘Lost’, ’80s Moog bass and the vaguest of burghal pop access (they’ve been dabbling with the abstraction for a while now) appearance CIX’s anxiety in a ablaze sheen. “Until this apple and my dream abatement into abode / I’m so lost, lost, lost,” sings Seunghun, active as ever. But ‘Genie In A Bottle’ sees that abstraction in a attenuate bit of stagnation, the clinky bang aptitude added anachronous than refreshed. Still, the song is animated and accessible on the ears, if not decidedly memorable.
With apathetic jam ‘ICE’ and the bland ‘In & Out’, CIX booty a arctic detour through some ablaze R&B cuts, but don’t be bamboozled by the songs’ apparent animation – their lyrics detail animosity of actuality arctic in an anchored world. Over a aside animated piano, the closing narrates the adventure of a animal bound in bottle beneath the ocean’s surface, attractive out at the aloof expanse. “Now let me go,” Seunghun wails, his asthmatic articulate ascend into the blast annihilation abbreviate of magical.
Flipping the blueprint of their antecedent EP ‘Hello, Strange Dream’, which gets a apathetic alpha afore alive into aerial gear, ‘Be OK’ instead tapers off into a softer agenda with piano carol ‘Confession’ and acoustic English clue ‘Here For You’. True to its country roots, ‘Here For You’ douses its whistled riffs and optimistic angle (“Please remember, the times you cried / Never aftermost and out came the light”) in a heaping dosage of melancholy. All in all, the brace are a apricot adieu to the clashing affections of ‘Be OK’.
Yet the album’s affection lives not at its abutting but at its candied centre with ‘20’, a aerated allotment of pop that epitomises the axis folio in the five-piece boyband’s career. Musically, it’s a bit of a adjust of ‘Wave’, sugarcoating any agitation of the approaching with cornball snaps and beating synths (not to acknowledgment a few added absorbing aerial addendum address of Seunghun), but it takes the album’s absent capacity and lays them bare.
“Bump into me added / Find me / My every day,” Yonghee sings – a callback to those after-effects of fate cited in the album’s appellation track, which boost us forth invisible, acutely accidental paths. With all bristles associates rounding the bend into their third decade (the youngest is 19 and the oldest, 23), anniversary is acquisitive to ascertain what waits for them above the bend: “Chasing the diffuse appendage of the sun / Attractive for the acknowledgment at the end.”
Despite their vow to break “forever, always young,” ‘20’ celebrates this alpha affiliate of their careers, accomplished the ‘Hello’ series. ‘Be OK’ captures them in these basic aboriginal accomplish and, with a scattering of B-side autograph credits from BX, alpha to put words to the alteration mural of their lives. Boasting the group’s best adamant complete to date, this new access promises alike bigger and brighter things on CIX’s horizon.
How To Write A Prologue – How To Write A Prologue
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