c/o Emily Bloomfield
This is an chapter of the Artgus Artisan Spotlight, an advancing alternation presented by the Arts & Culture section, advised to highlight the aesthetic talents of the added Wesleyan community. To appoint a apprentice artisan for a profile, go to tinyurl.com/3ttmszh4. In this installment, Staff Writer Jacob Silberman-Baron ’25 spoke with Emily Bloomfield ’22.
Bloomfield writes and annal music in her additional time. Aftermost spring, she appear an anthology blue-blooded “Don’t Mind the Ghosts” beneath the name Emily Bloom. The anthology is accessible to beck on Spotify.
The Argus: Acquaint me about your action for autograph a song.
Emily Bloomfield: Usually, if I’m autograph by myself, I’ll aloof sit bottomward with my guitar and alpha arena some stuff, and again bulk out some chords I like or a little riff. I’ll alpha autograph the melody to a baby bulk of music that I’ve written…and again the melody and the chords will affectionate of assignment calm to bulk out sections and stuff. I accept never accounting all of the guitars, again all of the words, and I’ve never accounting all of the words and again all of the guitars. It consistently happens together. I don’t anticipate I’m decidedly able at the guitar; allotment of it is audition added melodies in my head, area I’m like, “Okay, how can I bulk that out?” I anticipate I’m abundant stronger at autograph lyrics and melody, so that often drives area the guitar goes, but I charge about to begin.
A: Who are your collaborators?
EB: I’m alive on that. On the album, it’s alarming because everybody who played was appealing abundant my best friends. The actuality who did all of the bang is a absolutely acceptable acquaintance of abundance from aerial school, and she aloof dead it. I wrote all the music by myself, though. All of the alignment was absolute collaboration. I didn’t address anybody’s parts. They all wrote their own parts, and I would accord them arch things like “I don’t adulation that,” but they’re all so accomplished that they would aloof appear up with a actor things and be like “What’d ya like?” Recently, this semester, aback I’m a senior, I’ve been absolutely nostalgic. This is apparently the aftermost time that I’m activity to be in this baby of a association with this abounding bodies who I apperceive and anticipate are such amazing and accomplished musicians. So, I’ve been autograph a little with Nic Catalan [’22]. They’re in a bandage actuality alleged Mother’s Friends, which has been absolutely lovely. Actually, afterwards today, at four, Audrey Mills [’23] is advancing over. She’s a junior. She additionally releases music. And we’re activity to try to address some actuality together. And again my added band, Sweetburger, we all address all of our actuality together.
A: Do you booty music classes here, or is it absolutely on the side?
EB: It’s absolutely on the side. I’ve never taken a music chic here. I accept this abhorrence that if I apprentice too abundant about music, I’m not gonna be able to address it anymore. It feels like such a angelic and amoebic action for me that I get afraid that if I apperceive what I’m doing, I won’t be able to get over that to accomplish things anymore. I’m gonna get in my own way.
A: Could you acquaint me about a specific song, and again allocution about the action for it?
EB: I can allocution about “Colorado.” That was a appealing accessible one. We were in quarantine, but I was absolutely cerebration about absent to leave and actuality stuck. And my acquaintance Liam Caplan [’22], who I alive with now, is from Colorado, and I was like, “I’m gonna drive out by myself, and acquisition a farm, assignment on this farm, so we can adhere out,” because we’re both like, “We’re so abandoned and this is so fucked up.” So I sat bottomward with my guitar. Whenever I can’t write, I change the affability of the guitar, so I like to accomplish the apparatus feel adopted to me. It’s absolutely helpful, ’cause again I’m aloof attractive for sounds that I like. I’m not like, “What ambit is this, and area could this go in my brain?” It’s affectionate of agnate to what I was talking about with music classes. So, I begin these chords. I wrote it in accessible D, which is a affability that I address in a lot. I started autograph these words which, actual easily, I accomplished were about active to “Colorado.” But I wasn’t cerebration “Okay, area could this storyline go?” It aloof vomits out of me. And again I’m like, “Oh, this is what this is about.” As anon as I accept that realization, it makes it easier to address added words, ’cause it’s what I’m cerebration about anyway.
I feel like a lot of it is actual image-based. Attractive at the lyrics of my songs, I apprehend that appealing abundant anniversary ballad is a account that I’m anecdotic or a scene. It’s hyper-specific account that’s what I love. In balladry or in reading, I adulation the hyper-specific continued creamy details. It’s like my admired thing. I accomplished “Colorado,” and I capital it to be boastful and this “I charge to go” [feeling]. And I concluded up going, ’cause I went to Idaho. That was like the big achievement of that song. But already it was over, I looked aback through the lyrics and I was like, “Oh shit, I’m talking to my parents in the beginning,” and it’s this chat with my parents, and the choir is about me actuality in the car and this activity of not alive what the fuck I’m accomplishing and actuality alone. And at the end, it was like this announcement of “I’m okay,” this has been absolutely adamantine but I’m okay. But I never accept that during the autograph process. I consistently accept that as an afterthought.
A: Don’t think, feel.
EB: It’s about hypnosis. And what’s absolutely arresting is that afterwards absolution this album, I don’t feel this way back I’m autograph anymore. It feels so abundant added casual. But for my activity afore this, autograph music was so not casual. It was absolutely acute and emotionally draining, and whenever I was in the average of the song and I couldn’t accomplishment it, it was like the affliction activity in the world, and I would captivate in my academician about it and not be able to let it go. And now, I’m chillin’. I’ll address a verse, and again I’ll get up and airing away. It was so abundant a bare release. It was like all of my animosity were bubbles up central of me, and the pot was starting to give. I bare to let the beef out.
A: What do you anticipate is altered about the actuality you’re autograph now compared to the actuality you’d anesthetize yourself for?
EB: It’s an absorbing question. I’ve been cerebration about that too. For so long, I was autograph music to get to apperceive myself better. It was absolutely so introspective, in a way area it was sometimes absolutely too much. I was aloof accepting a adamantine time. Apprehension abnormally was tough. I was autograph about what I was cerebration about and feeling. I was absolutely activity through the mud…. And now my activity has been abundant added steady, so I’ve been able to accept fun with it more…. My songs accept been a lot lighter recently, sometimes a little funny, I think, or like absolutely fabulous stories. Which has been a absolutely fun change. But I do absence the hypnotic, absolutely affectionate activity that I acclimated to get autograph songs, because I aloof don’t accept it anymore, or I haven’t had it in a continued time.
c/o Emily Bloomfield
A: What are your admired lyrics?
EB: I anticipate maybe my admired lyric on the album, or one of them, the song that I feel the best affiliated to the lyrics is the aftermost song on the album, “Ladybugs in the Spring.” I adulation the byword “take fair precautions.” I adulation the abstraction that this song is a warning. I didn’t anticipate about that back I was autograph it at all. It aloof happened. But I would say, as a whole, lyrically, that song is my affection and soul. It aloof said absolutely what I meant…. I adulation the lyrics on “It’s Not Your Fault You Were Sleepy.” I did that as a alive booty on purpose, because the lyrics are so affectionate and abutting to me that I capital the actuality of a alive performance. I didn’t wanna bother how I sang it or how I played it, so I recorded that in one take. There were like four mics in the room, and I was aloof like “go.” And we aloof played it through and that’s what’s on the album. Barely any mixing…. And the aftermost ballad of that song area I say, “You went to bed aboriginal / You fell comatose on the couch / I was account about added bodies / And you larboard the stove on / You forgot to about-face it off / Back your mom said she’d call.” That accomplished absolutely quick chat I’m appreciative of. Yeah, I like that song a lot.
A: You’re a senior. Any abstraction what you’re doing?
EB: I’m cerebration about it. I anticipate I accept two answers. One is like my aqueduct dream, which would be, I would appetite to tour, like a little tour, I accept this angel of me and Josh [Markowitz ’22] arena at a agglomeration of these little DIY venues, aloof to play. I absence arena alive so abundant that appropriate now all I can anticipate about already I’m able to is to go and comedy as abundant as I can. Maybe bodies listen, or maybe bodies abhorrence it, but at atomic I can say that I tried. That’s been my aqueduct dream.
I think, in reality, I assignment at a coffee boutique in Middletown that I love. I adulation my job. I adulation my coworkers. I assignment at Perkatory Coffee Roasters, plug. And I adulation it there. I adulation alive there. I feel like I charge a breach from academy and from account for years. I’ll assignment a job, and I’ll bulk out my shit, and I’ll address a agglomeration of music and try to comedy as abundant music as I can. And I’ll booty it from there.
A: And you’re a history major.
EB: I’m a history major.
A: How does that fit into all this?
EB: That’s an alarming question. I anticipate about it all the time. I don’t know. For a while, I was like, “Yeah, why am I a history major?” I’m autograph a thesis, and accomplishing my apriorism research. I’m like, “This is the greatest bits ever.” Absolutely what it is is that I’m acutely eavesdropping and I accept so abounding questions about things. And so I’ve been accomplishing archival research. I’m accomplishing my analysis on Middletown. I’ve been activity to the actual association and attractive through old books and whatever. But it does chronicle to music in that I like to try to bulk things out. If I was to try to acquisition a throughline in all of the things that I like, it’s problem-solving. And with my music, it’s like analytic with my life. And with history, it’s accepting questions and aggravating to acquisition them in history. Although I anticipate that’s additionally a huge stretch, and maybe aloof an acknowledgment that works for this question. But I’ll angle by it.
A: Anything abroad you appetite to say?
EB: I adulation music. It’s the greatest affair that’s happened to my life. One affair is, if you address music, allotment it with added bodies who address music and coact with people. Because I feel like I came to that absolutely late. And now I’m like, authoritative music does not accept to be a abandoned thing. It can be so collaborative.
This account has been edited for breadth and clarity.
Jacob Silberman-Baron can be accomplished at jsilbermanba@wesleyan.edu.
How To Write A Melody – How To Write A Melody
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