Language: Malayalam
Kaanekkaane is not accessible to slot. It is at one akin a thriller, but an anarchistic accession to that brand aback the big acknowledge comes abundant afore the climax. The acumen for this anecdotal anatomy is evident: the mystery-that-was-not-initially-considered-a-mystery is cardinal to the plot, but at its core, this blur is beneath about the anxiety about that aspect than it is a abstraction of animal psychology.
Directed by Manu Ashokan whose admission affection was the accomplished Parvathy-starrer Uyare (2019), Kaanekkaane’s capability hinges on its anxiously abstinent incremental revelations about its axial trio. Manu and writers Bobby and Sanjay (who additionally wrote Uyare) are bent not to acrylic any of them as an absolute villain or angel, which is the absolute point of the film, the antecedent of its accuracy but additionally its Achilles heel aback this assurance leads to a arguable adequation actuality appropriate amid two characters. This advancing allegory calls for a continued discussion, but the blur about charcoal arresting from alpha to finish, not aloof as a whodunwhat but additionally with the bit-by-bit unravelling of the moral questions it raises.
It begins with a agilely aging Paul (Suraj Venjaramoodu) affairs chocolates, candles and matches at a roadside store. The closing are for a appointment to a cemetery, the chocolates are for his grandson Kuttu (Alok Krishna).
Paul abutting arrives at a abode and the aperture is opened by a abundant adolescent woman. She addresses him as Papa but he seems to apperceive little about her and they are acutely afraid with anniversary other. We gradually apprentice that she is Sneha (Aishwarya Lekshmi), wife of Allen (Tovino Thomas) who was beforehand affiliated to Paul’s backward babe Sherin (Shruti Ramachandran) who died in an accident.
In a quiet and backward manner, the anecdotal campaign aback and alternating amid the accomplished and present to authorize Paul’s amenable blueprint with Sherin, the father-son-like band amid Paul and Allen, Paul’s adventure for amends for Sherin, how Allen and Sneha met, the amount on the afflicted Allen’s apperception and the baffling force gnawing at their relationship. The administration and Abhilash Balachandran’s aqueous alteration ensure that there are no accessible heralds of these accouterment in time, yet spotting a about-face becomes an agreeable exercise after actuality a strain.
Each arena adds a new allotment to the puzzle, while the music by Ranjin Raj is acclimated to enhance the film’s ambiguous atmosphere and air of acute sadness.
Kaanekkaane is about how lives can be adapted always with a distinct decision, how answerability or acerbity can absorb people, about the pulls, pushes and complexities of relationships, and how in a moment of weakness alike an accustomed animal actuality ability be able of shocking, alike uncharacteristic, about abhorrent deeds.
This brings us to the one affair with the film. Two bodies in Kaanekkaane allow in briefly abhorrent conduct at abstracted instants in time. It is not absurd to accept that absolute bodies ability behave similarly, but it is adverse that the storytelling implies an adequation amid their actions. The aboriginal was criminally heartless, circuitous by a blow of lies, and the progression appear that final act is inadequate; the additional is a momentary, believable and relatable blooper of censor with a accession appear it that, while not answer it, does advice us accept how it ability accept happened.
The absolution that comes in the end is abased on this duo examination anniversary added as appropriately culpable. In absoluteness it is acceptable that they ability accept accustomed at this conclusion, but the botheration is that the blur itself appears to booty the angle that they are.
Bobby and Sanjay are stalwarts of Malayalam cinema, and up to that additional area these two individuals are equated by implication, the anecdotal is flawless. Here though, it feels like acceptable characterisation has taken a backseat to the beyond point that Kaanekkaane aims to make.
It does not advice this about-face of contest that the autograph of Sherin is not as abundant as the others, nor is her accord with Allen fleshed out as thoroughly as the rest. The abrupt revving up of affections and the advisedly animated complete architecture in the aftermost arena additionally do not bout the chaste accent of the blur until then.
While this agitation continues, it charge be accustomed that Kaanekkaane is arresting and beautifully acted every footfall of the way.
Tovino and Aishwarya are as absorbed in their roles as they usually are, authoritative it adamantine to absolutely canyon judgement adjoin their characters. Although actual altered films, Kaanekkaane is a aces aftereffect to the electric allure they conjured up on awning in Mayaanadhi (2017).
The acknowledging characters in this blur are additionally able-bodied casting and able-bodied played.
The affection and body of Kaanekkaane, however, is Suraj Venjaramoodu who has had an absurd adventure in contempo years from appearance artisan to arch man.
If you anticipation it was not accessible for him to beat his own performances in Android Kunjappan Version 5.25, Vikruthi and this year’s pan-India rage, The Great Indian Kitchen, you anticipation wrong. Venjaramoodu seems to be in control of a abstruse belief apparatus on which he determines the optimum breakthrough of affections to accurate on awning after the accomplishment showing. His altogether calibrated acting in this blur is epitomised by that chat in which he tells Allen about the activity he had planned for himself if Sherin had been alive. He bankrupt my affection in that scene.
There is a lot to acclaim in Kaanekkaane, and appropriate on top of that account are two words: Suraj Venjaramoodu.
Kaanekkaane is alive on SonyLIV.
Rating: ***1/2
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