While the Chinese New Year proclaimed 2021 the Year of the Ox, you’d be forgiven for cerebration that, at atomic seasonally, it was the Summer of the Khatt in Lancaster city.
Tina Ortiz, bigger accepted to the Lancaster arts association as Thunda Khatt, fabricated her attendance accepted at dozens of contest over the aftermost several months and is allowance to actualize a alpha balladry scene in the city.
On Sunday, Oct. 24, she’ll host the additional aggregate of “Thunda ‘n’ Mimosas,” a balladry and accessible mic advertise adherent to announced word. The accident is actuality captivated at 341 Liberty Street in Lancaster. Tickets are $24 via cashapp, PayPal or Venmo and accommodate mimosas and charcuterie.
The first, which took abode in August, bound awash out.
“It’s been a busy time,” Ortiz says over the phone. “I’ve been asked to do pretty abundant aggregate I’ve done this summer. I’ve done absolutely a few chargeless events, but at the end there, I started accepting paid appealing nicely.”
What’s absorbing about Ortiz’ active agenda isn’t aloof the abundance of shows, but the assorted affection of the shows themselves. While some were added poetry-centered than others, admirers accept apparent the Thunda Khatt name pop off in aggregate from TCP hosted ball shows to aperture for Lancaster burghal indie bedrock bandage Nielsen Family Bandage at Phantom Power.
“One of the coolest things about my summer is that I’ve gotten to authority so abounding altered spaces that poets don’t commonly do,” Ortiz explains. “It’s adamantine to say what poets commonly do and don’t do because of the abridgement of them about here, but it’s like any added aerialist – if they’re good, again they can authority their own amplitude no amount who they’re about or who they’re accomplishing the appearance for.”
This, according to common assistant Dominique Jordan, is partially what makes her so special.
“When I say that she got a continuing acclaim – bodies went crazy for her set,” Jordan recalls of the Thunda Khatt set at TCP Laughs. “And she didn’t agilely attack to be funny, it’s aloof artlessly raw and unfiltered that it’s like, ‘no, you’ve got to feel this.’ Sometimes it’s activity to be funny, sometimes it’s activity to be sad, sometimes you’re activity to be affronted about it, but that’s the best allotment about it, because she’s activity to accord it to you raw and uncut, and you’re activity to accept to accept it area you are.”
Born in Baltimore, Ortiz spent her aboriginal activity amid Maryland and Harrisburg, again Columbia and now in Lancaster burghal for the aftermost 15 years. She begin her atom for autograph in aerial school, creating belief and eventually attempting to actualize a “found musical” application above-mentioned songs angry calm with a created storyline. Most of, if not all of Ortiz’s early work stayed bedfast to the folio because she couldn’t acquisition a amplitude to accomplish that acquainted welcoming.
This afflicted in 2017, back a then-coworker appropriate that she analysis out an accessible mic at Fruition Collective, the arts venue on Walnut Street that is now Space, a best store.
“The aboriginal time I performed, I did some old pieces that I had already accounting from the archives,” Ortiz explains. “And then, that was the aboriginal time I anytime sat bottomward and wrote article with a purpose, like, I’m autograph this so I can accomplish it at this accessible mic because I accept article to say.”
That aboriginal bent allotment was blue-blooded “Melanin,” and it is featured in most Thunda Khatt sets to this day.
“Melanin for the win, it’s a aged win, we aged winning, and accept been from the beginning, in my opinion/They appetite to be us, archetype and adhesive and try to annul us, they never freed us, but don’t never balloon how they charge us”
The four-minute piece is a belittling appraisal of cultural appropriation, announced to an bearding “You” that represents Ortiz’s annoyance with a accepted ability of abiding demography afterwards caring, and worse, while still antisocial those who created the assignment in the aboriginal place.
“She has this band (in “Melanin”) that is acutely satire, but it references 9/11, area she’s saying something like, ‘9/11 was sad, but All Buildings Matter,’” Jordan says. “She says things like that that force you to feel afflictive for the greater good, and I anticipate that’s a absolutely important allotment of what she brings to the table. It’s not aloof agreeable wordplay, it’s not aloof to accept fun with it, it’s actually to get you cerebration and put you in an afflictive bearings so you can alpha accepting adequate with the inevitable.”
“Melanin,” forth with pieces like “There’s Abundant Work To Be Done” and “Watch Out for the Big Girls,” are delivered with electricity, and no musical accompaniment. She knows area the affecting pauses are, area to breach for applause or the casual beam band and all with a address that denies her almost few years of acquaintance on a alive stage. Beyond actuality a “spoken chat artist,” Ortiz has referred to herself in the accomplished as a “Floacist,” and in some cases, a “Word Bender” afterwards the appearance “Avatar: the Last Airbender.”
Although balladry and hip-hop accept a pretty spacious middle amphitheater in a Venn diagram, it was alone afresh that Ortiz began putting her rhymes to music.
The aboriginal official affidavit of this came aloof aftermost anniversary in the song “Good Vibes,” by Lancaster burghal accompanist Suge and produced by Adrian La Rosa. Unsurprisingly, Ortiz’ agreeable accomplishment shines on the track, with a ballad that manages to reference Outkast, Floetry and “Love Don’t Cost a Thing.”
“The way that she writes, I’m activity to be honest, it goes over my arch sometimes,” says Tymira Pearson, contrarily accepted as Suge. “It’s so smart. She’s able to say things that a lot of bodies wouldn’t. Her adventuresomeness and aggressiveness to say things that are adamantine is beautiful, and it needs to be recognized.”
With added verses cat-and-mouse in the wings for release, Ortiz isn’t calling herself a rapper aloof yet. And aloof like the affluence in which she can accomplish at a balladry slam, bedrock appearance or ball night afterwards accepting to change herself, it’s acceptable that the “Word Bender” never will, anyway.
While Lancaster burghal has no balladry arena to allege of, the “Thunda ‘n’ Mimosas” accident exists to advice bodies acquisition their spaces the aforementioned way that Fruition Collective did for her years ago.
“There aren’t a lot of adolescent poets that are actively showcasing what they accompany to the table,” Jordan says. “And that’s why ‘Thunda ‘n’ Mimosas’ is so important, because she created a amplitude area all bodies could appear together, old and new school. I bethink at the aboriginal one, there were bodies in the army autograph balladry that were aggressive aloof to get up and allotment in the moment.”
With appearances and sets best weekends through the end of the year, Ortiz is alone aloof alpha to admit her stature.
“It’s absolutely nice, I aloof get way too far into my head and I can never adore nice things,” Ortiz says. “With every appearance I get, it’s like, ‘OK, back are you activity to get out of Lancaster?’ I’ve aloof got to accord myself some time. I’m adequate this, but I anticipate I’m accessible to booty it on the road, so to speak.”
2022 is the Year of the Tiger, afterwards all.
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