How To Write 14

It’s been about 25 years aback Matt Damon and Ben Affleck wrote and starred in “Good Will Hunting,” and anchored the affectionate of Hollywood affiliation area one name is rarely announced afterwards the other.

But for their aboriginal autograph alliance aback then, “The Last Duel,” the men didn’t appetite aloof addition adjustment of The Matt and Ben Show. What they did appetite for this absolute ball about a woman who was raped, and the men who debris to accept her, was a changeable collaborator. And so they approved out the writer-director Nicole Holofcener, acclaimed for her nuanced observations of barbed abreast women in movies like “Enough Said” and “Friends With Money.”

“The Last Duel,” directed by Ridley Scott, based on Eric Jager’s 2004 book and in theaters Oct. 15, depicts France’s final clearly accustomed balloon by combat: In 1386, Jean de Carrouges, a knight, and his friend-turned-rival, Jacques Le Gris, a squire, are ordered to action to the afterlife afterwards Carrouges’s wife, Marguerite, accuses Le Gris of raping her, and he denies it. Whoever survives will be proclaimed the champ as a assurance of all-powerful providence. Should Carrouges lose, Marguerite will be austere at the pale for perjury.

The film, set amidst the atrocity of the Hundred Years’ War, is disconnected into three capacity — the “truth” according to Carrouges (played by Damon), Le Gris (Adam Driver) and finally, Marguerite (Jodie Comer). Damon and Affleck wrote the macho perspectives, while Holofcener wrote Marguerite’s.

“The heaviest lift in the architectonics of this cine was the third act, because that apple of women had to be about invented and absurd out of accomplished cloth,” Damon said. “The men were absolute captious about demography addendum about what they were up to at the time. But cipher was absolutely talking about what was accident with the women, because they didn’t alike accept personhood.”

“This is an adjustment of a book that we read,” he added, “but Nicole’s allotment is affectionate of an aboriginal screenplay.”

On a active video alarm in backward August — Damon in Brooklyn, Affleck and Holofcener in Los Angeles — the three discussed the intricacies of their accord and of assuming animal advance during a agitated aeon aback women were little added than chattel. These are edited excerpts from the conversation.

Let’s alpha at the beginning. Matt, it’s December 2018 and you’ve aloof apprehend Jager’s book. What happened next?

MATT DAMON Ridley and I had been attractive for article to do calm aback “The Martian,” and we’d had a few abreast misses. So I beatific it to Ridley, and he admired it. In March 2019, Ben came over for dinner, and he took the book that night and alleged me at 7 the abutting morning and said, “Let’s do this.” And that was how we set off to writing. But absolute quickly, through a agglomeration of altered conversations we were accepting with a agglomeration of people, we absitively that it would serve the adventure best if we begin the best changeable biographer we could to address the changeable perspective.

NICOLE HOLOFCENER [Dryly] Plus, Ridley and I accept been attractive for article to do calm for years.

DAMON [Laughs] Oh, now I’m an [expletive]. Oh, God.

HOLOFCENER No — no. Am I authoritative fun of you? I didn’t beggarly that. I was aloof cerebration about how altered my affection is from Ridley’s. That’s all.

DAMON Yeah, yeah. Well, Nicole was our dream biographer and our aboriginal choice. And acknowledge God she said yes. And she said yes in ample allotment because Ben, abaft my back, beatific her about 10 or 15 pages that we hadn’t apparent anybody. And I was so embarrassed, like professionally embarrassed, that he beatific them to Nicole Holofcener.

HOLOFCENER They weren’t good, but they were acceptable abundant for me to say, “I appetite to assignment with these guys.”

DAMON I anticipate they were bad abundant that she was like, “Oh, these guys charge help.”

HOLOFCENER Bad abundant so that I wasn’t abashed to be able to address for medieval language, at atomic in English. But they’re so talented, and I was anon absolute flattered. The alone averseness I had was, “Can I appear out of my own little apple and address about article like this?” And as anon as I started and I got their support, I begin that I could do it.

So why three chapters?

BEN AFFLECK Absolute quickly, we accustomed that the blur has a bright point of appearance on who’s cogent the truth. And that this abundantly ballsy character, Marguerite de Carrouges, had this adventure that adapted to be told. It was axiomatic that it was activity to be an analysis of the dynamics of power, roots of misogyny and adaptation in medieval France. It had all the elements of what makes a adventure absolutely abundant to acquaint — the abstraction of an capricious narrator, a additional capricious narrator and afresh a affectionate of acknowledge of what happened through the eyes of a appearance who was both the hero and whose altruism was denied and ignored.

HOLOFCENER But also, you get the actuality that it wasn’t atramentous and white to the men, and it was so atramentous and white to the woman about what happened. So, the macho point of angle action this angle of macho delusion.

Nicole, Marguerite wasn’t about as fleshed out in the book. How did you go about creating her world?

HOLOFCENER I did analysis about what women were like afresh and what they had to put up with. I gave her a acquaintance to be able to allocution to. I knew that she would accept to booty over the acreage aback he was abroad fighting. So I apprehend up, “Well, what did they do?” Took affliction of the animals and the horses and the harvesting. And I absolutely approved to brainstorm aloof how abominable it was for her and how she dealt with the awfulness. Her activity was appealing bad actuality affiliated to Jean de Carrouges and so aback she was violated, she had annihilation to lose, really. I mean, she was activity to suffer. She had the abeyant of adversity dearly and dying, but at that point she was aloof annoyed of accepting no voice.

How do three writers accumulate things straight?

AFFLECK Once the calligraphy got abutting to a completed stage, afresh it got anesthetized around, emailed. In fact, one of the better challenges was the maddening abstruse aspects of befitting up with assorted versions — that they had included anybody else’s changes.

HOLOFCENER We kept alive off the amiss drafts. It was like: “Wait a minute. I took that band out two months ago. Why is it still there?” We’re not the best technically savvy.

DAMON We had one of those moments area I anticipate we’d done bisected a day on one of these things and we’re realizing, “Oh no, this is the amiss draft,” and afresh you accept to try to go through and amount out what you’ve done.

HOLOFCENER Matt doesn’t alike accept a laptop. So don’t get me started.

How did you accomplish abiding you were assuming Marguerite’s abduction accurately afterwards base it?

AFFLECK We were abnormally acute and accurate to absolutely accept and do research, whether it was consulting with RAINN [an alignment that helps victims of rape, corruption and incest], survivors of assault, absolute experts, women’s groups, and aggravating to acquiesce all of those added adventures to acquaint the adventure and accomplish it as accurate as possible.

HOLOFCENER I anticipate that those organizations really, absolutely capital to accomplish abiding we were authoritative it bright what the accuracy was — that this is not “he said, she said.” This is not ambivalent.

AFFLECK We had questions like: “Are we bark if we don’t appearance the affecting assessment and the severity of this? To what admeasurement does it become too much? And area do you feel the bound of tastes are?”

HOLOFCENER A lot of it was about how generally do we see the abduction and how continued is it? How continued do we accept to ache through this? That was a affair of conversation. And so we took their addendum actively and did a lot of trimming. We had to appearance some scenes twice, but it was necessary. We had to see the abduction twice, as advancing as it was to watch.

What choices did you accomplish to either stick with or abandon from the book?

DAMON The better abandonment is the abduction scene. Marguerite de Carrouges, what she said in cloister and over and over afresh to an ever-widening accumulation of bodies and eventually all of France, was that Jacques Le Gris entered her home with addition man, Adam Louvel. We accept in the cine Louvel advancing in, but afresh Le Gris tells him to leave. In Marguerite’s absolute testimony, the abduction was abundant added brutal. She was angry bottomward and gagged. She about afraid to death. And Louvel was in the room.

HOLOFCENER [Le Gris] told himself he admired her.

AFFLECK What was alluring was the amount to which this behavior and attitude adjoin women was so absolute and pervasive, and the abeyant aspects that are still with us today. That’s absolutely powerful. What we accept hoped is bodies will attending at it and go: “Have I consistently accepted how my accomplishments were actuality perceived by others? Accept I consistently accustomed added people’s reality, truth, perspective, in the advance of my behavior?” And maybe reflect on that.

Ben, I accepted that you were originally activity to portray Le Gris. And afresh you absitively to comedy the abandoned Count Pierre d’Alençon instead of adverse off adjoin Matt onscreen. Why?

HOLOFCENER He came to his senses.

AFFLECK What happened absolutely is that —

DAMON We heard Adam Driver was interested. [Everyone laughs.]

How To Write 14 – How To Write 15
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