Legendary Mission District graffiti artisan Clarence “Cuba” Silas Robbs, a avant-garde in graffiti autograph accepted for bringing “wildstyle” graffiti book to the Bay Area and painting hundreds of murals here, died on November 4. He was 57.
On Thursday, Cuba’s adolescent “Ex-Vandals” crewmates began painting a mural in his account in Lilac Alley, area he and added alleyway “cats” could generally be begin painting the walls. Cuba corrective the aboriginal mural in Lilac Alleyway in 2006 as the babysitter and co-founder of the Lilac Alleyway Mural Project, which eventually advance throughout added corridors in the neighborhood.
Cuba was additionally a babysitter of graffiti works for the Clarion Alleyway Mural Project aback its alpha in the aboriginal ‘90s, and formed on projects with the Precita Eyes Muralists, teaching adolescent ancestors how to address graffiti during the anniversary Urban Youth Arts Festival. In animosity of his acclaim and massive talent, adolescent artists and accompany bethink him as apprehensive and kind.
Though he admired the adventure of actionable graffiti, Cuba became a broadly acclaimed artist, and was commissioned to do abounding acknowledged works about the city. He formed on an 80-foot-long mural adulatory the San Francisco Giants and their Apple Alternation achievement in North Beach, and corrective the ancillary of now-closed Revolution Bistro and an alleyway at the Mission National Bank.
But “he wasn’t aloof a graff guy,” said his acquaintance Sam Gifford, a above acquaintance of Cuba’s who aboriginal met him at a Jerry Garcia Band appearance in 1984. “Cuba knew everybody, and anybody knew Cuba.”
He played music as a reggae DJ, and collaborated with Emory Douglas of the Black Panther Party.
“He was brilliant. He was abstruse and articulate, and he could wax anapestic like no one I’ve anytime met,” said Lisa Brewer of Mission Art 415, who formed on the Lilac Alleyway Project with Cuba. On any affair he was amorous about, Cuba was “a abundance of knowledge,” Brewer said.
Cuba was an affecting allotment of the “Mission School” art arena and aggressive acclaimed Bay Area artists like Barry McGee and Rigo 23, said beheld artisan Megan Wilson of the Clarion Alleyway Mural Project. Cuba’s assignment was a anatomy of activism, and he explored putting his art into books and manuscripts. His assignment is featured in collections in the Library of Congress, the New York Accessible Library, and at assorted universities.
Not abundant is accepted about Cuba’s aboriginal life, but he was built-in in Baltimore on January 3, 1964, and grew up there. His mother was an herbalist who formed for a bloom aliment abundance and his ancestor was “into home ’70s aerial fidelity,” as Cuba wrote in an illustrated autobiography.
As a adolescent teen, he began to “escape the Baltimore accessible academy arrangement at every opportunity,” bottomward against music festivals and arts on university campuses, Cuba wrote in the adventures book series. Fed up with aerial school, he assertive his parents to acquiesce him to appear the Baltimore Experimental Aerial School, and managed to pay his way through as a bistro dishwasher.
Around that time, in 1979, he began acquainted graffiti in Baltimore: “Seeing these strategically placed tags, I knew instantly what an acutely able average it was,” Cuba wrote. He began aggravating it for himself, and started application the name “Cuba” by May of 1980 at age 16.
Cuba became allotment of a baby aggregation of graffiti writers complex in an underground punk-rock scene, and developed his audible appearance during a time aback graffiti was still apparent as a bent act.
As a jailbait in the aboriginal ‘80s, Cuba was already able-bodied accepted in the Baltimore graffiti scene, but was additionally developing his absorption in music. He absitively to skip boondocks and hitchhike his way beyond the country, afterward the Grateful Dead against the West Coast, as had ancestors of “Deadheads” afore him.
By 1983, at age 19, Cuba had landed in San Francisco, and it stuck. “When he begin San Francisco, he accomplished he was home,” said Cuba’s longtime acquaintance and adolescent artisan from Baltimore, Adam Stab, who alleged Cuba one of the “patron saints” in the Mission District artistic world.
Although he suffered branch abortion and was diagnosed with diabetes anon afterwards accession in San Francisco, and struggled for decades with crumbling health, Stab said, the burghal accustomed Cuba to curl in a way Baltimore never could have.
Cuba spent a few years in the backward 90s in Maui, Hawaii, and lived briefly in San Diego, but the Mission was his alleged home. And, as he had done on the East Coast, Cuba fabricated a name for himself, painting accurately and illegally about the city.
When his bloom issues fabricated it difficult to ascend up a ladder to acrylic or get abaft the turntables, he would still appear out and be a allotment of the vibe, Brewer said.
Cuba’s accompany bethink him as addition adventurous to allege his mind.
“The man had belief aloft stories,” which consistently came with some advice, said Alex “Mace” Douhovnikoff, who was amid the baby accumulation alive on the mural for Cuba on Thursday and alleged Cuba article of a ancestor figure. “If he was giving you advice, you aloof shut up and booty it.”
The aboriginal time he met Cuba, Nathan “Nate1” Tan was 17, alive on a allotment in 1988 with a adolescent artist. “He was giving us props,” Tan said, afflicted that the man who already had such a bequest was demography the time to acclaim his work.
“In ‘88 he had been autograph about 10 years — I was aloof born, in agreement of graffiti. I was aloof learning,” Tan said.
Over 30 years later, Tan was alive on a “legal wall” allotment with Cuba and others, and his ailing bloom meant Cuba had to ask Tan for advice finishing his piece. Aback he stepped back, cerebration he was finished, Tan accomplished he was far from it.
“He told me after artificial any words: ‘Nate, that bits is attractive wack! Could you ample it in solid and again re-outline it?’” Tan said, bedlam in disbelief. He anchored the appearance he’d corrective of Cuba “on the double.”
Muralist Sirron Norris, who was already commissioned to acrylic a new mural over a bank Cuba and others had formed on at Revolution Cafe, said he abstruse a lot from Cuba in that mix-up. The bistro buyer had commissioned Norris for a new mural after alerting the painters of the aboriginal mural, he said, and Norris’ new assignment was vandalized.
“He never abhorrent me for my abridgement of knowledge, my naïveté” with attention to the San Francisco graffiti scene, Norris said. “This guy sits bottomward with me, and lays it out for me.”
Friends will bethink Cuba’s abiding optimism and strength. Even admitting he spent the aftermost several months of his activity at San Francisco General Hospital, he would still accurate his action to get aback out and acrylic the town, said Gifford, his above roommate.
“Cuba was the arch being I anytime knew,” Gifford wrote in an email. “Average activity assumption on dialysis is article like bristles to seven years. He was on it for about 40. His will to alive was unbelievable.”
To those who knew him, his amaranthine adherence to his ability fabricated him the adept that he was. “He was a agent of the ability to the people,” Stab said. “Cuba was one of those bodies who angry calm not aloof places but ages.”
In account of Cuba, an affectionate acquisition of accompany will be held, but his association is planning a added accessible ceremony, which is still yet to be finalized.
How To Be A Graffiti Writer – How To Be A Graffiti Writer
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